Some artists have created such indelible and iconic images that one work comes to encompass their whole legacy. While it takes a great genius to create such a work, what is unfortunate is that he or she may have created many more masterpieces that go unappreciated or are overshadowed by the artist’s previous success. In the case of Edvard Munch, he became so renowned and so famous for two or three pieces (namely The Scream, Puberty, and Madonna), that the rest of his extraordinary oeuvre has remained relatively obscure to the public. Most who know of Munch have one, two, or three images emblazoned in their mind’s eye and know little or nothing else of the Norwegian artist. They probably associate his work with Post-Impressionism and Proto-Expressionism during the fin-de-siècle. Few are aware that Munch continued to produce haunting and emotionally evocative work well into the early 1940s before his death at the age of 80 in 1944. Though the Nazis deemed his work “degenerate art” and had him banned, he has continued to inspire artists and aesthetes who see his work for its true value with all of its innovative technique, melancholy subject matter, and always relevant human themes. Munch deserves not only wider recognition of his works, but also a deeper understanding of his social importance within the art world, and this warrants another look, or perhaps a first look for many, of his genius.